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Fyodor Kuznetsov (Bass)

• Prize-winner at the All-Russian Vocalists’ Competition (Perm, 1987) 
• Recipient of the St Petersburg Mayor’s Prize for Art (1994)

Fyodor Kuznetsov graduated from the vocal faculty of the Nizhny Novgorod State Glinka Conservatoire in 1989 (class of Professor Krestinsky). He was a soloist with the St Petersburg State Academic Musorgsky Theatre of Opera and Ballet from 1987-1996. He made his Mariinsky Theatre debut in 1996 as Don Basilio in Il barbiere di Siviglia. Mariinsky Theatre soloist from the same year. 
Mariinsky Theatre soloist from the same year.

Repertoire includes: 
Farlaf (Ruslan and Lyudmila
Konchak, Skula (Prince Igor
Boris Godunov, Pimen, Varlaam, Nikitich, Bailiff (Boris Godunov
Dosifei, Second Strelets (Khovanshchina
Prince Gremin (Eugene Onegin
Orlik (Mazepa
Narumov (The Queen of Spades
Bertrand (Iolanta
Chub (Christmas Eve
Duda (Sadko
Malyuta Skuratov (The Tsar’s Bride
Prince Yuri, Burundai (The Legend of the Invisible City of Kitezh and the Maiden Fevronia
A Tall Englishman (The Gambler
The Inquisitor (The Fiery Angel
Tkachenko (Semyon Kotko
Mendoza (Betrothal in a Monastery
Prince Nikolai Bolkonsky, Marshal Davoût, Bennigsen (War and Peace
Sobakevich (Dead Souls in concert) 
District Police Officer (The Brothers Karamazov
Leone (Attila
Sparafucile (Rigoletto
Philip II, Grand Inquisitor (Don Carlo
The King of Egypt, Ramfis (Aida
Lodovico (Otello
Trojan Soldier (Les Troyens
Lindorf, Dr Miracle (Les Contes d’Hoffmann
Il Commendatore (Don Giovanni
Sarastro (Die Zauberflöte
Daland (Der Fliegende Holländer
Wotan, Fafner (Das Rheingold
Hunding (Die Walküre
Klingsor, Titurel (Parsifal)

Has toured with the Mariinsky Opera Company to Amsterdam (Concertgebouw), Baden-Baden (Festspielhaus), London (Covent Garden), Milan (La Scala), New York (Metropolitan Opera), Buenos Aires (Teatro Colón), Paris (Théâtre des Champs Élysées) and Madrid (Teatro Real) in addition to performances at the Teatro Lirico di Cagliari (Italy).

At the world’s greatest theatres he has performed the roles of Varlaam (Boris Godunov, Salzburg’s Festspielhaus and the Stuttgart Staatstheater), Klingsor and Titurel (Parsifal, Municipal Theatre, Santiago), Priest (Lady Macbeth of Mtsensk, Teatro Real, Madrid, and the Prinzregent Theater, Munich) and Il Commendatore (Don Giovanni, Los Angeles Opera and Washington Opera). In November 2004 he took part in a concert by the  Baltika Kremerata conducted by Gidon Kremer at Carnegie Hall (Dmitry Shostakovich’s Fourteenth Symphony).

The singer’s recordings include Boris Godunov and Betrothal in a Monastery (Philips Classics), Karoena de zeemeermin by Boudewijn Buckinx and romances and songs by Dmitry Shostakovich for Vox Tempory.





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